Lyndsey Hoh Copeland is a Mellon Postdoctoral Fellow at the Stanford Humanities Center and Lecturer in the Department of Music at Stanford University. She received her D.Phil. in Ethnomusicology from the University of Oxford, her M.Phil. in Social Anthropology from the University of Oxford, and her B.M. in Tuba Performance from the University of Southern California. Her current projects focus on amateur brass bands in the Republic of Benin, the metaphor of “hotness” in discourse about African music, and racialized aesthetics in Spotify and Apple Music playlists. She has articles in the journals Ethnomusicology Forum and Africa.
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