Musicology Alumni

PhD Dissertations in Musicology (since 2011)

• Hilary Donaldson, 2021: "Modernism and the Sacred in the Music of Benjamin Britten"
• Amanda Hsieh, 2020: "Male Hysteria, Degenerate Opera: Post-Wagnerian Music Drama in the Era of World War I"
• Lindsay Jones, 2020: "Music by the Ducat: Giuliani’s Guitar and Vienna’s Musical Markets, 1806–1819"
• Jessica Lovett, 2020: "The Sound Culture of Space Science"
• Stefan Udell, 2019: "Hearing with the Ears of the Heart: Reading Musica in 13th and 14th cent. Manuscripts Containing Poetry, Music and Art"
• Katelyn Clark, 2019: "The Early Pianoforte School in London’s Musical World, 1785–1800: Technology, Market, Gender, and Style"
• Erin Scheffer, 2019: "John Weinzweig and the Canadian Mediascape, 1941–1948"
• Patrick Nickleson, 2017: "The Names of Minimalism: Authorship and the Historiography of Dispute in New York Minimalism, 1960–1982"
• Ed Wright, 2017: "Making Hammers with Art: The Producer of House and Techno"
• Virginia Acuña, 2016: "The Spanish lamento: discourses of love, power and gender in the musical theatre (1696–1718)"
• Roseen Giles, 2016: "The (un)Natural Baroque: Giambattista Marino and Monteverdi’s Late Madrigals"
• Jeremy Strachan, 2015: "Music, Communications, Place: Udo Kasemets and Experimentalism in 1960s Toronto"
• Eva Branda, 2013: "Representations of Antonín Dvořák: A Study of his Music through the Lens of Late-Nineteenth-Century Czech Criticism"
• Helen Patterson, 2013: "The Antiphonary of Bangor and its Musical Implications"
• Alexa Woloshyn, 2012: "The Recorded Voice and the Mediated Body in Contemporary Canadian Electroacoustic Music"
• Michelle Boyd, 2011: "Music and the Making of a Civilized Society: Musical Life in Pre-Confederation Nova Scotia, 1815–1867"
• Colleen Renihan, 2011: "Sounding the Past: Canadian Opera as Historical Narrative"
• Anna Rutledge, 2011: "Zelter, Goethe and the Emergence of a German Choral Canon"